talk about how much I love The Fiery Furnaces? Well I still do. The other day I was driving home from work while listening to their two-disc live album,
Remember, and I heard Eleanor declare something about "a house once owned by the
princes of
Mataran." She pronounced it in this regal, elongated way she rarely has the time to conjure in other songs, what with all the crazy mouthfuls of lyrics she's got to get out. I knew the line was coming, as I've listened to all their music enough not to be too surprised by all the digressions and seeming disjointedness, but her delivery and that line are just so wildy wonderful I shouted in the car to no one in particular,
"OHMYGODILOVETHEFIERYFURNACESSOMUCH!!"
This morning I had disc two of
Remember in the car stereo on the way to work; I've had the CDs for months and I still haven't tired of them. I was just marveling about how well they can write a slick pop song when they want to and how thankful I am that they mostly don't want to.
I was thinking of posting about this when I saw a review of the live album on Salon by Michaelangelo Matos and suddenly had an excuse to.
Matt [Friedberger], who writes most of the songs (and produces, arranges and plays most of the albums' music), has a gift for tunes as well as production trickery, and he knows his way around both classic-rock guitar riffs and set-piece keyboard parts. Sometimes he gets cutesy: "Clear Signal From Cairo," a song from last year's Fiery Furnaces album Bitter Tea, features a tinkly melodic tag ("It's a clear, it's a clear, it's a clear") that's one of the most annoying earworms I've ever encountered.
I disagree with that sentiment, but I'll let it slide; my main issue with "Clear Signal From Cairo" is that it's too long, but I get the feeling the Friedbergers know that, plus I think it's kind of funny to write a song about being called back to a lover's arms and never bothering to arrive at those arms, much less even answer the call.
What I won't let slide is that the song is actually on last year's
Widow City.
Bitter Tea was an '06 release.
Matos is on our team though. Don't worry. He continues:
But to listen to "Here Comes the Summer" or "Tropical Ice-Land" (both from 2005's "EP," a cheeky title for a work that at 10 songs and 41 minutes has the shape and length of an album, not an EP), or the delicate "I'm Waiting to Know You" (from 2006's "Bitter Tea"), is to hear a band that can seemingly make perfectly shaped, completely immediate pop records whenever it wants to.... Matt is one of the most arresting and original lyricists who's ever worked in pop, and one reason for that is that he grounds his songs in obsessively ordinary detail.
He even quotes the lyric that triggered my ecstatic outburst:
[T]ry this verse, from "Borneo" (from Bitter Tea): "So I gambled on going further afield/ So I flew to Sydney and then to Bali and then to Jakarta/ And called on my stepfather's ex-business partner, Major Timmy Sastrosatomo/ And he set me up as a silversmith batik dabber/ In a house once owned by the princes of Mataran/ And he told me all his troubles." Of course he did.
That's almost as good as another favorite line of mine, also on
Bitter Tea -- actually I think it's also on "Borneo" -- the song turns into something of a dream narrative and a phrase ends with "the bulldozers came and turned us into whole fruit fruit bar sticks and China markers."
There's so much in this review I'd like to post, but I'll just do one more little bit and let you read the whole thing
here if you like.
If you remember from
my last FF post, I mentioned how Fiery Furnaces devotees should have a nickname. This made me wonder if all their fans are as nuts over them as I am. Matos makes the same suggestion here:
As much as with the studio albums, there's a conspiratorial feel [to Remember], a sense of glee at pushing limits and bringing you along if you're willing. Even if you're a fan this can all seem like too much. But too much is what the Fiery Furnaces do best. Because their music is compelling, its fractures become part of the draw; the holes in the narratives invite filling in. The Friedbergers appeal to people as obsessive as themselves: Trekkies, Whovians, comics geeks, people who enjoy stepping into made-up worlds, who like their meanings at least partly buried, who pride themselves on knowing the codes, but don't mind not getting everything, because it gives them more work to do.
So I'm not the only one! Where's the fan club?! Sign me up!